It was the day after the Paris attacks and the world was still numb with shock. It was mid-afternoon after a fantastic day spent exploring and I found myself standing in the rain, surrounded by police officers, as a long procession of people made their way past. Despite the police, the mood was relaxed and positive. The protesters streaming by advocated for the rights and humane treatment of refugees. Their rhetoric was one of love, of inclusion, of tolerance, and of being our brother’s keeper. As the tail of the march passed, the officers, who were largely there to ensure the safety of the protesters, jumped on their bikes or horses and made their way forward. Soggy, I continued across the intersection and into the Laeiszhalle. This building has served as host to some of Germany’s best concerts since it opened its doors in 1908 and was a lovely, elegant structure with a charming interior.
Damp from the rain, I made my way to the coat check anticipating that the show, Teatime Classics featuring Trio Adorno, would be a traditional trio performance in the main concert hall. Of course, as you might guess from the name, it was actually a brilliantly different experience. In place of the main stage in the concert hall, it was held in the bar/reception area. Beneath beautifully decorated vaulted ceilings, a hap-hazard assemblage seating, a piano, and two chairs had been setup at one edge of the room just before the door to the northern wing of the concert house.
As we settled in to enjoy the concert, still a bit unsure what to expect, I sipped one of Hamburg’s signature beverages – the Fritz-Kola, which as it turns out has roughly double the caffeine dosage of your average soda. Eyes wide, I watched the assembled mixture of young children, middle-aged folks, and elderly couples enjoy their cakes, coffee, soda and wine before glasses and empty plates were put to rest and the trio took their positions.…